Free Roll 4 Shoes Adventure: DISASTER at Princess Pumpernickel’s Magical Birthday Cooking Competition! (version 1)

A mashed potato monster found on the internet

 DISASTER
at Princess Pumpernickel’s
Magical Birthday Cooking Competition

***
Princess Pumpernickel (7 years old) organized her yearly Magical Birthday Cooking Competition and you, for better or for worse, have joined in to this Magical Masterchef competition, where the winner gets incredible riches and the loser will spend a year in the dungeons!

This year a disaster happens when a magical mash potatoes and sausages golem has gone rogue and started to wreak havoc! So far, the princess is still amused, but things might go bad for you if you cannot put an end to this golem … in the most entertaining way possible.

You are some type of Magical Cook with enough expertise, or such an inflated ego, that you would at least think of standing a chance and not end up in the dungeons.

***

Base System: Roll for Shoes (https://rollforshoes.com/)
Extra’s: Choose a background that informs how easy or difficult your actions might be. You can choose or roll d66 (2d6: first die is first digit, second die is second digit) on the list or invent your own (GM fiat). There can be no two of the same. The person who celebrated their birthday most recently gets to pick or roll first.

11. Mash-o-mancer: You start with a sack of magical potatoes. How are they magical? The GM might tell you, or ask you, depending on how he feels.


12. Pastamancer: You start with Grandma’s magical cookbook. There’s no recipes in there, but grandma’s ghost will yell at you when you do things wrong and tell you to measure with your soul.


13. Sushi Shaman: You start with an aquarium on wheels, in which a fresh mermaid is captured. Does she help, or is she an ingredient?


14. Garlic Warlock: You start with a wreath of mystical garlic.


15. Cheezard: You start with a giant wheel of Elemental Emmental cheese.

16. Soup Witch: You start with a magical, walking cauldron. It has a bit of an attitude.

21. Meatball Mystic: You start with a heap of Ground Unicorn Meat.


22. Flame Wizard: Master of the grill, you have eternal charcoal, stolen from the depths of hell’s ever-burning fire. Sometimes it screams when it burns.


23. Tofumancer: You start with silky smooth tofu made from actual clouds.


24. Salsa Salamander: You are a magical fire-lizard that specializes in hot-sauce. You start with 1d6 other-worldly peppers of increasing intensity. 


25. Vegan Vampire: You start with a barrel of ethically sourced blood from lab-grown meat. And sunglasses, for obvious reasons.

26. Juice Maguus:  You can make juices out of everything, even things that usually cannot be juiced. You start with a magical juicer, which may or may not be your pointy magic hat.

31. Savvy Summoner: You actually don’t know how to cook, but the creatures you can summon can, if you can control them enough to tell them *clearly* what to do.


32. Decanting Enchanter: You know all about wine, and start with 1d6 bottles of wines that are literally out of this world. Either the GM tells you where they are from or you come up with them yourself.


33. Cocktail Conjurer: You start with some magical shakers and a variety of strangely shaped glasses, straws, umbrella’s, etc. The shakers give you the ability to distill emotions. Now only to find a way to capture them!


34. Mushroom Goblin: In the deep and magical caves of the goblin kingdom, strange mushrooms grow with a multitude of strange effects. You have brought 1d6 different ones.


35. TV-Show Chef: You are not magic, you are just very entertaining when cooking good food. You start with a signed version of your latest cookbook.

36. Sauce-Medium: You perform Sauce-Seances in which you contact grandmothers from the past to learn their secret sauce recipes. Sometimes they seem a bit senile though.

41. Pastry-Prince(ss): You are surrounded by a cloud of little winged fairies that will follow your every command. You actually never cooked on your own before, and wouldn’t know which part of the knife to hold. You are very good at giving orders though.

42. Tomaturge: You have magical tomatoes. They are the size of basketballs and taste very fruity.


43. The Easter Bunny: You start with unlimited chocolate eggs. Where do they keep coming from? 


44. Jamming Gnome: Not only do you make some great jams and compotes, but you also make some good music while doing it! You start with 


45. Pickled Homunculus: You are a pickled homunculus and float in a big jar of brine, but are able to come out if needed. You are made out of pickled vegetables, which, in a pinch, can be used as ingredients.

46. Chocolate Charmer: You are able to instill feelings in your chocolates. You start with a crate full of raw cacao.

51. Fruit Ninja: You have two very sharp ninja blades and a box of various fruits to slice dramatically in the air.


52. Ghost of a Restaurant Cook: You can cook ghost-food, from ghost-ingredients (the ghost of a pig, the ghost of a carrot, …) dripping with ectoplasm! But even handling regular food or utensils is very challenging!


53. A Drunk: You don’t really know what’s going on, or how you got here. You vaguely remember signing something? The only thing you really know is that things will become more difficult to do if you don’t get a drink soon, because the headache is coming! You start with an empty bottle of whiskey.


54. Barbecue Beast: You are a Minotaur that’s into grilling! Skewers, steaks, drumsticks, fish, sausages, and some more exotic meats. You start with a fully plucked griffon, ready to be dressed, marinated and grilled. And a grill of course.


55. Goblin Bug Eater: You are a goblin that specializes in preparing food from bugs. The goblins even breed some special types of magical bugs. You start with 1d6 Strange Goblin Bugs. the GM will either tell you what they are, or ask you.

56. Drowned Pirate Captain: As a drowned pirate captain living at the bottom of the sea, you’ve become quite good at making sea-food. You start with 1d6 seafood treasures of the deeps. the GM will either tell you what they are, or ask you.

61. Magical Bakery Construct: You are a magically constructed being that is used as a baker. You start with a built-in oven and a vial of raw magic.


62. Barista Badger: You are a walking, talking badger that can make all-organic, natural coffee.You start with a sack of mystical coffee beans from your enchanted badger glade. 

63. Herbalist Harpy: You start with rare and magical herbs and spices. You usually use them to make calming teas and the like, but who knows what you can use them for in this competition.


64. Heavenly Cook: You are literally an angel. You start with a bag full of golden spoons to eat rice porridge with, as is tradition.


65. Garden Gnome: You are a gardening gnome and can make a pretty good salad! You start with a wheelbarrow of home grown garden vegetables.

66. The Muffin Man: You are really good at making walking, talking cookies, muffins, cupcakes and the like.

***

The arena consists of a circular area divided in six parts revolving around the Royal booth (A large tower with a 360° balcony) where the princess and her family sit. Once a recipe is done, it is brought up to her to taste it and hear her verdict. There are some guards there protecting her.

The full event will take 3 hours, with demands, surprises and complications brought on by the princess each half an hour segment.

THE PRINCESS DEMANDS… 

11. … an explanation on why you are doing what you are doing. Your booth mechanically rises to meet her at the balcony and explain why you are doing things the way you are doing it, or why you have chosen a certain ingredient.


12. … that you use a specific ingredient. She generously provides it to you. It is something that would go really well.


13. … that you make it sparkly.


14. … that your dish can move.


15. … that you use a specific ingredient. She generously provides it to you. It is something that would be difficult to incorporate.


16. … that you use a specific ingredient. She generously provides it to you. It is something that is near impossible to incorporate.



21. … that everybody dances!


22. … that everybody sings!


23. … that you tell an exciting story about the brave and beautiful princess Pumpernickel as you cook!


24. … that you do a fancy trick!


25. … that you tell a joke!


26. … that you start over from scratch!


THE PRINCESS IS GENEROUS


31. She gives you one of her guards as a helper.


32. She let’s you choose one of 1d6 ingredients to have added to your table.


33. She let’s you choose two of 2d6 ingredients to have added to your table.


34. She let’s you choose three of 3d6 ingredients to have added to your table.


35. She gives you a compliment.


36. Your starting resources are replenished.



41. You are in the spotlight! They all focus on you!


42. More time allowance! (an extra round)


43. More time allowance! (two extra rounds)


44. Coffee break!


45. She will invent a song about you on the spot!


46. You get a signed invitation to the ball!



THE PRINCESS IS BORED

51. Release the monkeys! (they steal)


52. The Floor is Lava! (Literally)


53. Make it dark! (Magical Darkness)


54. Zero Gravity Field! (everything starts floating and becomes more difficult to handle)


55. Thorny Vine Sprouts! (they obstruct and pierce)


56. Confetti Cannons! (colored paper and plastic falls from the sky)



61. Flood it! (Water starts to rise. When will it stop?)


62. Release the clowns! (they pester, mock and sabotage)


63. Switch tables with another player of her choice! You now work on that recipe!


64. Random ingredient is banned now!


65. Only use one arm, the others on your back!


66. Stand on one leg!

***

An unforeseen complication is the Mashed Potato Monstrosity now roaming around the arena, looking to devour and assimilate. If any of the players have rolled the Mash-o-mancer, this is their creature gone wrong. Otherwise it’s an NPC contestant. Optionally, play without the mishap and see what unfolds during play.

To see who the monster targets for the round, roll 3d6: 

3. The Princess’ Tower


4. Contestant 1


5. Contestant 1


6. Contestant 2


7. Contestant 2


8. Contestant 3


9. Contestant 3


10. Contestant 4


11. Contestant 4


12. Contestant 5

13. Contestant 5

14. Contestant 6

15. Contestant 6


16. The Live Audience

The monster tries to engulf and absorb, it can also try to terrify and slam things to try and break and destroy things. It needs 6 hits to be destroyed. When hit, a little bit is split off and runs of on its own, trying to cause havoc as well. It is only one hit to defeat that, and it does not split further.

***

DISCLAIMER: This is a first version, untested idea. I hope to test it some time and then see if I can make it into something for my itch.io store. 

Weird Idea #4: Full Dixit Improv

Disclaimer: This is not a new idea

The Concept: Completely No Prep Game

So I got to test out the "You are a Wolf" game I typed up in a haze of creative energy, and it worked really well. It was very improvisational, which I like. (It did drain me of energy and brain power after 3 hours of full improv) 

It did make me think about what other ways to do a full no-prep improv game. And I just got the idea that maybe we can do this with a deck of Dixit card. I'm not sure if Dixit is still very well known, but ten years ago it was pretty popular as a game (not an RPG), and as a tool for story-based RPG's. Some thought to use it as an oracle, others as a propt for inspiration. I'm thinking the latter, especially with something like Roll 4 Shoes (or Risus, or The Pool, or even Fate) which have room in character creation for interpretation.

This way we could get together, pull some cards from the deck (or go through the deck and choose them, not all dixit cards are equally easy to interpret for a specific situation) and interpret them. But due to the possibly only one-shot nature of these types of game, rolling with the random results seems more interesting (I have a lot of dixit sets, and they all got mixed up). While this could be enough of a prompt for this game, let's see if we can't make up a procedure to follow, maybe with some examples.

The Procedure

Karel, Steven, Esther and Malik come together to play a game. They come together around a table and go over their preferred safety procedures (For this, I suggest the ones from Microscope). Then they will play the game. Karel is the GM and tells us that we are going to make our own setting up on the spot. 

To do this there are two immediate options I can see working. Either he draws one card and everybody interprets one thing about it. This can be a close interpretation or some wild connection you make because of your own experiences, biasses and preferences. The other immediate idea is that everyone draws a card and uses it to fill in some setting details. In both cases there should be the option to pull more cards if you can no longer draw upon the card you have or think it doesn't suit you. This goes on until you have a little prompt and some idea of the setting that can inform character creation. This can happen in a freeform kind of way, or you could use a list of questions to answer. Something like this:

• Where are we?
• When are we?
• What is unique or special here?
• Who are we, generally? (what kind/type of people)
• What are we doing?
• Who or what will challenge us?

Write all of these on some type of setting creation paper. If playing FATE, that system actually has a worksheet for this where you can easily log this type of information. (For Fate, rather than this list of questions, use the form to ask the questions, generating the issues, the faces and places, etc.) While this is fun in itself, try to keep it relatively short, so you can get to the actual playing of the game.

Most of the players know the FATE system, and Karel has experience running it, so they all brought their Fate Dice, pencils, FP tokens and a pad of Post-it's to use for creating aspects etc. He suggests using the Dixit cards as prompts to fill out the empty spots on the Game Creation Worksheet. They draw their first card, and think about what questions it might answer, or what they can fill in just from the card.

The card in question

Karel immediately has an idea for the Setting/Tone field on the Setting Creation Worksheet. Magical Pastoral Steampunk. What that means exactly, we don't entirely know yet, but we know there will be steampunk elements, magic is involved with the steampunk and there is a pastoral feel to it, maybe even Ghibli-esque. Esther notices that the sheep are being transformed into clouds by the machine, and that that might be a problem or issue. The group agrees that this is probably a current issue, not particularly an impending one. Since they are only going to play one session, an impending issue might not be relevant, though if it comes up in the pulling of the cards, this might still give some interesting details. Steven then pipes up that a good place and a good face would be a farm and its farmers. They would probably be distressed. This card doesn't give a lot to go on for working them out, but we write it down as things to keep in mind. We agree that it might be time for another card. We keep this one on the table because it might link up well with another one, but we will pull a new card since not all is filled in yet.

The result of the first card with the second one displayed.

Malik drew it and immediately has an idea. "What is the problem at hand is that the farmer's son has gone on a journey to try and solve the problem, and the farmer is worried. Maybe he doesn't even know why his son has gone, but hey, he has a schoolbag with him, perhaps he never showed up after school? So maybe the 'Sheep are being turned in clouds' is the impending problem, but the current issue is the missing child?" Everybody agrees that this seems like a good idea. Their characters, whoever they are, will probably be searching for the child. Steven reminds everyone that one of the safeties people have written down is children being harmed, so we will keep in mind that the child will be able to be found in relatively safe circumstances, and make the changes to the sheet. Karel asks for a name for the child. Esther offers Jonathan, and it is written down. 

Looking at the faces and places, Jonathan is written down, but the aspect/issue at hand there needs to be filled in. What do we know about Jonathan? Is he brave or stubborn? Is he someone who cannot stand injustice? That last one strikes a chord and is written down. Looking at the other faces and places Steven pipes up again and asks, "So, who are we playing? Are we his family, looking for him or are we somehow hired to do this?" Karel adds, "Well, the pastoral Ghibli type story seems to suggest we're everyday people being thrust into an adventure, right? So, I don't think we're hirelings, at least not all of us. If someone really wants to play one, that is good for me, but I think we should be down-to-earth people. Perhaps his family (and the workers from the farm) or his classmates, having decided it's up to us, because it's clear the grown ups can't do it?" Esther likes this idea. "A mercenary being hired by a bunch of kids, trying to manage them and having more trouble with them than with the actual mission at hand seems like a lot of fun!" The previous faces and places are maybe no longer needed, is decided, and they are erased. And looking at the two cards, two possible locations for scenes are written down as they are clear on the cards. "A giant, thorny, beanstalk to the clouds." and "A cloud making-machine near Jonathan's farm." 

This could be enough to get started on Character creation, following the same method of using the cards to inspire what aspects to make. I think I'd like to at least make one more location, if not two, to have as possible scenes. I think I'd add that there's some type of proof that Jonathan's been near the cloud making machine or something, which as a GM I'd make up as character's are making their own characters. Then everyone would get new drinks, we'd go over characters and the Fate Trio together and get started. I might add that we'd talk about how magical everyone might be, but seeing as it's Ghibli-esque, probably the kids are not and the hireling might be, but doesn't have to be. We'd have to figure out what type of magic, which could also be informed by the cards, etc.   

The final result

The structure of the Fate Game Creation Worksheet really helps, and can really be used for any other ruleset. I'd be down to play this game for sure! There would be a part two "Character creation" to this blogpost, but it would just be more of the same, so I will end it here.

Weird Idea #3: You Are A Wolf

THE FIRST HOWL: In which a wolf howls at the moon to tell her what the general idea is.

Again a picture on social media sparks an idea in my weird noggin, and I can't stop thinking about it. I hope this post will get it out of my system.

I came across this on Instagram on the massive.archive account, which is all kinds of inspiring images.
Do check it out. Apparently the original quote is from ― Clarissa Pinkola Estés in Women Who Run With the Wolves

Anyway. Use this list as a general rule for how Wolves behave and decide how well your furry, toothy, wolfy self fits into that list, or how deviant from it you are. Use a very simple resolution mechanic for play. I suggest something like Roll 4 Shoes or 50/50 and tinker from there if need be. The system isn't the interesting thing here, these general wolf rules for life are. They, and your wolf's interaction with them will provide the drama.

THE SECOND HOWL: In which the wolf ask the moon what it means to be a wolf.

So you're wolves ... now what? Good question, here are some questions in return to help your group decide what they find interesting or important. Decide also if there are things you do not want to see and howl these at each other. Be safe.

• Are you all in the same pack? If so, who is the leader of the pack? What are your roles in the pack? If not, how do your packs relate? What is your history? Roll some dice or otherwise resolve it if no resolution can be found through discussion. The roles in the pack(s) might already be a good source of drama to begin a game.

• Where are you? Probably a forest of some kind, but is it dark, wild and rampant, or is it tamed and being encroached by humanity on all sides? Has a disaster recently happened, like a flood or a fire, that might have changed things or attitudes?

THE THIRD HOWL: In which the moon, from her high vantage point, howls back what's in the wolves' path, for well or for woe.

Let's be a bit fanciful and call the GM the Moon here. Place obstacles, dilemma's or other interesting scenes in front of the pack(s) to see how a fulfilling story emerges from this cocktail. Give them opportunities to live out the General Wolf Rules For Life in the picture, but sometimes make living that Wolf Live challenging.

1. EAT: Give them interesting prey, or sudden strange competition, or an unexplained abundance (or rumors of it further ahead).

2. REST: Make moments of rest opportunities to develop relations and deepen your understanding of the pack and its (perhaps changing) hierarchies. At times, make finding rest difficult, a price to be cherished.

3. ROVE IN BETWEEN: Where do they rove to, what do they find of interest, be it curious, beneficial or horrific? Give reasons to rove. Is the prey dying out? Is there sickness or disease? Maybe Human hunters?

4. RENDER LOYALTY: Give opportunities to the wolves to prove themselves loyal. Test loyalties. Where do your wolves' loyalties really lie?

5. LOVE THE CHILDREN: What does it mean to love the children? Protect the children? Prepare the children? Teach the children? How can things happen to the children?

6. CAVIL IN MOONLIGHT: Have a meeting under the moon where, as in a senate, discussion is had. Let different positions clash, let nervous posturing, growling and pacing take place as the grayest of wolves have differing stances or the younger ones want to let themselves be known. Wolfish politics.

7. TUNE YOUR EARS: Look out for danger or cries for help, from prey, pack or foe alike. Find things out. Hear what others have to say, and what they really want to say.

8. ATTEND TO THE BONES: Especially in the difficult times, when prey is hard to come by, attend to the bones, and eat their marrow. Dig deep and find the hidden strength. Attend the bones as well to sharpen tooth and fang, so as to be stronger and more deadly.

9. MAKE LOVE: Find a mate and raise a litter, make the pack grow. But what is the right mate, and are all pups good for the pack?

10. HOWL OFTEN: Let your voice be heard, communicate, even from afar. 

Weird Idea #2 - Vocalizing Choruses

Michael Hartstein’s “When a Choir Sings, The World Stops and Listens.”

I'm here again with a Weird Idea nobody asked for. Once more it's based on music. I was recently pointed at some strange music group called A Room Full of Teeth and decided to give them a listen on Spotify. I loved it. It's Fantastically Weird, being all vocalizing with maybe some synthesized chords in the background once in a while, but mostly just the voice doing weird stuff, like Tibetan throat singing and Yodeling. 

So I'm listening and my imagination starts running, GM brain activating. This sounds sufficiently creepy to be something to put on when in a strange different place: 

A haunted mausoleum, where all the corpses start singing nonsense, filling everyone with dread, destroying sanity room by room, forcing steel checks, whatever your system. If you fail, the haunt takes control and you join the song ... forever.

A eerie fairy forest where the voices are heard, but not found. (Or what would happen if you did find them?) Some strange type of fairy music magic that tries to capture you, plays with you, for some incomprehensible reason. What do you need to do to escape? Sing a counter-song? Hit the right notes? Hide from any sound? What happens if you emerge from the captivity? Can you even still stand sounds? Have years passed, or just mere seconds? Did your voice change or get stolen?

Inside the dream of a bard or minstrel or other music mage. All the voices are different aspects of their inner self, vying for control, sensing around. Some might even be the spells themselves, in a "Vancian" way. Or is this how a bard finds their special songs, transported via musical trance to a place where songs are real and need to be captured, or understood, or translated to sheet music. The amount of success with which this is done defines the strength of the musical spell?

Anyway. This was this edition's weird ideas.

Weird Idea #1 - The Ear Worm

From Wikipedia.
This is what we call an oorwurm (ear wurm) in Dutch.

Inspired by this video: https://www.youtube.com/watch?v=tA6GwfeDYyA

Setting: Completely normal day to day modern day average people.

Genre: Sitcom

The game night is an episode. The problem: An ear worm. There's a catchy tune that slowly worms itself (heheh) into everyone's mind. By the end of the episode everybody is humming it. Hijinks ensue with people trying to avoid it, getting rid of it finally and getting it stuck in their head again by another person. Players try to find silly, funny and somehow relatable ways to deal with it.

Some kind of resolution in the end, where they figure out it might not be so bad after all, or everyone finally got rid of it, but someone mentions that he got rid of it finally and it reminds the others, which starts it all back up.

*laughtrack* 

*image still of people throwing couch cushions at the person* 

*End Credits*

Probably using something like Fate or even make it into a FIASCO playlet? I dunno. This is a weird brainwave. No bad ideas in brainstorming.

Adventure Idea: A Dragon's Tears

Recently, through some talk on a roleplaying games forum about violence in games, my brain started thinking. One of the tracks it rode upon was the one where a lot of the quests, problems and assignments the player characters in roleplaying games get are clearly and easily solvable with violence. Then, at one point during walking from the station to school, a thought struck me. Potion ingredients. You see, me and my wife are reading through the Harry Potter books together (I've never read them before, and it has been a while for her) and I guess the end of the second book (The Chamber of Secrets) had stuck with me. I'm not gonna spoil it, but those that know, know how it applies.

I was thinking how tears are not an easily harvestable ingredient from mystical creatures. You can't gather them by killing and skinning, like they are dragon scales or something. You have to go about it another way. And that made me think about why people might cry. It might be by telling it a sad story (like a thief's tragic backstory) or listening to a beautiful song (Bards and Disney Princesses, you're up!) or Priests and Prophets trying to instill guilt of some kind. (Clerics, Paladins, ... it's your chance). It's also a delightful chance for the roguish prankster players to think outside the box, like buying carts full of onions and start cutting them in front of the dragon. (Like many fairy-tale heroes.) There might still be those who might to use pain to make the dragon cry, but that gets into torture and X-card material and is clearly non-heroic behavior.

Anyway, I wanted to put these thoughts to words and get them out, so here are two ideas or story seeds to get this problem to your characters.

Story Seed: The Anchorage of Amontillado

DISCLAIMER: This contains grim and dark material, which is unusual for me (I mean, I made a game where kids play Carebears, for crying out loud.). If you do not like grim and dark material, you should skip this post.

I’ve been reading up on hermits lately, because it’s an NPC trope I like and I’ve got some hermits in the Dreamwoods that I want to flesh out. I went to Wikipedia, looked up Hermits and got reading. While not applicable to my setting right now, I came upon a strange idea that spoke to me and gave me an idea for a horror story/ horror game idea. Now, I myself don’t like to play horror. Reading it, sure, fine, but playing it (or even sometimes watching it) is a bit much for me, but I thought some of the readers might like it.

Anchorages, according to Wikipedia are a specific kind of religious hermits that seek seclusion in a drastic way. They get sealed in to something ranging from a cottage to a single cell. Sometimes outside of society but mostly in the city, sometimes built against the church. Sometimes the sealing-in happens by bricking up the door. The anchorage gets their food and other essentials delivered by people and gets to devote their entire life to prayer and devotion. They might be called upon to give advice or being asked to pray for something by people, but otherwise they don’t really have a social life. They can come from any station, clergy or not, and often are people who have nothing to lose, like elderly people, or widows, but not always.

Now, I think you understand the title of this post by now, being a not very subtle reference to the Poem: The Cask of Amontillado by Edgar Allan Poe. Let me tell you this story seed.

1) In the town of Amontillado (do feel free to change it up to any town in your current world that fits for the story) a certain young widow has taken the vow of the Anchorage. She takes place in a cell built against the church and is bricked in. People provide food and she gets her time to devote herself to her Lord.

2) People come to ask for her prayers, which she gladly does. In time she starts giving advice as well. The people appreciate it and they start to love her greatly. She starts receiving visions, which she records in her cell and sometimes shares. Specifically when it’s about the person coming to ask for advice.

3) People come more and more and listen to her advice and teachings. They believe to be in the presence of a living saint. There might even be some miracles that happen because of her. Finding lost livestock, healing of sickness, etc.

4) At one point a local noble or other person of import comes to her for prayer. He asks her to pray for forgiveness for him as he has killed his wife and buried her secretly. Overflowing in divine grace, she prays for his forgiveness, and becomes concerned for him.

5) A year later he comes to her again, and asks for the same thing. He had remarried and in a bout of jealous rage, killed his wife again. Again, she forgives, but is concerned and asks him to change his ways.

6) A year after that, the same thing happens again. He got married again, but oops, he got angry again and killed another wife. “Please pray for my forgiveness.” But this time she refuses. The lord will not forgive the unrepentant. He must first change his ways.

7) A young woman comes to her, asking her to pray a blessing over her upcoming marriage. It is with the local noble. The Anchorage warns her not to do it, that he is not a good man, but has evil in his heart. The young woman takes the advice to heart and breaks off the engagement. She is never seen again.

8) The local noble, furious about the Anchorage, starts spreading lies about her. That she’s a witch, and that her visions and miracles are witchcraft, given to her by the devil himself. He starts spreading rumors that he’s seen her talking to a snake. That she’s in her cell naked. That at the night of the full moon she escapes in the form of a bat to go dance naked in the moonlight in a witches cabal.

9) People start doubting her, and many things that would be normal are seen as suspicious now. The food is dwindling, people start spreading rumors, exaggerating former rumors, etc. In the end, they brick up even her windows and let her starve to death.

10) Recently, a big crash was heard, and the sealed door has burst open. Her ghostly appearance has been seen, taking vengeance upon the people, sometimes accompanied by the ghosts of the killed wives. The target? The noble and his household specifically, and the town in general.

You could start at the end and have a ghost-haunted town to have an adventure in, but you could also use this as an impending doom, starting from the top, kind of like Dungeon World and its fronts.